The Volokh Conspiracy

Horace Silver Quintet Playing Senor Blues:
There's lots of very good jazz up on YouTube these days, although it's actually pretty hard to find a strong musical performance that is complete, acoustically clean, visually compelling, and yet not already widely known.

  I recently across one gem that is worth flagging: the Horace Silver Quintet playing Silver's composition Senor Blues at a concert in Holland in 1959. Horace Silver is unusual for the consistently high quality of the groups he has led in his long career; I think I have all of his albums recorded from around '55 to the early '70s, and it's hard to think of a misfire on any of them. Still, the video captures Silver during a particularly fruitful period with his quintet that included Junior Cook on tenor and Blue Mitchell on trumpet. Louis Hayes, who is still playing regularly, is on drums. It's a terrific performance and an excellent example of Silver's style. (The band is playing with their backs to the audience, which must have been a bit weird live but works well for the TV cameras.) I particularly enjoyed Junior Cook's solo, although it's much too short:
  One of the reasons I chose to blog about this clip in particular is that it's very accessible to folks who know nothing about jazz. If you have a vague sense that you might like jazz but don't quite know where to start, give this clip a listen. If you like it and want to hear some more, start by buying Song for My Father, recorded a few years later with the great Joe Henderson on tenor. It's a classic. Picking the next one to buy after that is a little arbitrary, but you can't go wrong with The Tokyo Blues from 1962. And if you like the song Senor Blues in particular, you'll want to get Six Pieces of Silver, the 1956 album on which it first appeared.

  Thanks to Bob Erwig for posting the clip, and to Blue Note for putting lots of Silver's work back in circulation in the last few years. Finally, if you liked this clip and want to see another from the same group, check out this performance of Cool Eyes.
Q the Enchanter (mail) (www):
I've played this tune (along with "Song") on a few gigs, back in my days of casuals. Somehow we never sounded this good. (Must have been the acoustics.)
12.27.2006 10:45am
godfodder (mail):
Wow, wonderful performance, but a bit restrained. I got the sense that they were holding back-- probably appropriate considering their audience, but I would have liked to see the horn players let loose. That ostinato figure that Silver was playing was just made to solo over!

It must have been hot as heck, between the studio lights and the button-down suits, but these guys were just in the zone. Thanks for sharing, Orin.
12.27.2006 11:11am
OrinKerr:
Godfodder,

They hold back a bit less on Cool Eyes -- see the link at the end of the post. Worth checking out.
12.27.2006 11:19am
JunkYardLawDog (mail):
Orin,

I would have never guessed you were such a jazz aficionado. I enjoyed jazz very much back in another life many decades ago.

Says the "Dog"
12.27.2006 11:19am
Apodaca:
While we're in the mood, here's a typical virtuoso performance by Oscar Peterson's trio.
12.27.2006 12:10pm
Sodapop650 (mail) (www):
On T.V.


And we get "Flavor of Love" 3 times a day.
12.27.2006 12:19pm
Sodapop650 (mail) (www):
P.S. Step up your Brazilian Game

http://www.youtube.com/watch?v=tDuDd835gBI
12.27.2006 1:37pm
Richard Gould-Saltman (mail):
In my other life, someone brought to my attention a number of You-Tubes of TV performances from the 50's and 60's on which Jack Costanzo, "Mr. Bongo", was a featured soloist. These sent me down the search trail, to the various pre-1976 Miles Davis pieces, the Roland Kirk In Europe piece (you can actually see and hear the two-sax thing live) and other rareties.

The Europeans actually seem to have more film/video from the 50's and 60's of American jazz players, so it was neat to see the Horace piece; think what a treasure we'd have if there was film/video of everything in the Rudy Van Gelder/Blue Note boxed set (at your local record store now, suggested retail price, about $2,000, consisting of ONE HUNDRED SEVENTY ONE discs!)
12.27.2006 4:32pm
Bill Dyer (mail) (www):
"Letting it all hang out" isn't necessarily a good thing. This was indeed a controlled, tight performance -- intense without being at all wild. A lot of the musicians' power and passion is implicit or merely hinted at, but you can feel that it's there.

In other words, "cool, man -- just cool!"

Thanks for this post, Prof. Kerr!
12.27.2006 7:08pm
Nate F (mail):
I used to play in a jazz band. Song for My Father was always one of my favorites that we did. This is cool.
12.28.2006 1:54pm
TJefferson (mail):
I normally read/lurk on this blog to learn what the others (aka "those I often disagree with") think. At least for Prof. Kerr, jazz music may not be one of those areas of disagreement. YouTube has some great jazz performance video, many from european television. It is a good thing for American jazz lovers that Europe and Japan appreciated jazz, recorded so much of it on television and continue to patronize the art.
12.28.2006 3:35pm
countertop (mail):
Heh

Here's another great piece to introduce folks into the beauty of jazz

Miles Davis's So What off the landmark Kind of Blue album. This was perhaps Miles (and Jazz music's) strongest lineup with Miles on trumpet, Coltrane on sax (the album also has Cannonball Aderly on sax too), Paul Chambers on bass (was there ever a stronger bass presence??) Jimmy Cobb on drums and Wynton Kelly on piano.
1.2.2007 4:33pm