John Miller presents his list of "the top 50 conservative rock songs of all time" in the June 5 issue of National Review. Admitting the list is somewhat arbitrary, John explained the criteria he used, in consultation with others, to produce the list:

What makes a great conservative rock song? The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values. And, to be sure, it must be a great rock song. We're biased in favor of songs that are already popular, but have tossed in a few little-known gems. In several cases, the musicians are outspoken liberals. Others are notorious libertines. For the purposes of this list, however, we don't hold any of this against them. Finally, it would have been easy to include half a dozen songs by both the Kinks and Rush, but we've made an effort to cast a wide net.

Topping off the list is "Won't Get Fooled Again" by The Who. Why is this a conservative song? "The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naive idealism once and for all," Miller explains. "The instantly recognizable synthesizer intro, Pete Townshend's ringing guitar, Keith Moon's pounding drums, and Roger Daltrey's wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives." Consider some of the song's lyrics:

There's nothing in the streets
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Are now parting on the right
And the beards have all grown longer overnight

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
Don't get fooled again

Meet the new boss
Same as the old boss

The full lyrics to the song are here.

UPDATE: A reader with a much better memory than mine notes that I blogged about WGFA during the Townsend-Moore dust up over whether the song could be used in Fahrenheit 9/11. Relevant to the debate in the comment thread is this comment from Pete Townsend:

WGFA is not an unconditionally anti-war song, or a song for or against revolution. It actually questions the heart of democracy: we vote heartily for leaders who we subsequently always seem to find wanting. (WGFA is a song sung by a fictional character from my 1971 script called LIFEHOUSE. The character is someone who is frightened by the slick way in which truth can be twisted by clever politicians and revolutionaries alike).

UPDATE: The full list of 50 is now on-line here.